Sophia Simensky takes an archaeological approach to shifting landscapes, collapsing histories into non linear narratives which judder together in the present.
St Anthony's Wilderness is a battlefield of allegorical fragments and poetic texts. Totemic steel corn plants, tussling water snakes and severed lion tails form a bestial landscape in which acts of violence and speculation are played out. Signs revel in the multifariousness of their meanings and the language of the natural and industrial world collide. The relics arrive out of sync, to be assembled and understood, and under each stone, Böhme keeps showing up